from January 22h 2016 to February 14th 2017
At the end of the 1970s, a time still dominated by a documentary or instrumental conception of photography, Jean-Marc Bustamante bursted in with a particular kind of work that as an intermediate space that, independently of its material nature, aspires to spark off intellectual processes for the spectator.
from April 25th to April 3rd 2016
The new prescriptions of mobility, speed and immediacy imposed by the forms of contemporary life and the new technologies have profoundly modified our perception and experience of time.
from April 25th 2015 to January 10th 2016
from April 26th 2014 to April 5th 2015
The photography and the moving image, working sometimes as a document, sometimes as a concept, or sometimes occupying the spaces between them, have become a territory that is favourable for exploring reflexively both our way of being in the world and the new semi-autonomous status of the photographic medium.
from June 8th 2013 to March 30th 2014
Maybe it is the idiosyncrasies of Helga’s way of seeing things, special and passionate, that makes her collection on paper so forceful. Because paperis somewhat fragile, on the point of slipping away. There is something of a love letter, those that are blown away and reach their recipients like the kisses, as mentioned by Kafka in Letters to Milena,